Monday, 29 May 2023

Hapworth 16, 1924

This book - well, it was never published as a book, rather as a Very Long Short Story in the New Yorker (the whole text is available from the link above) - by J.D. Salinger - is easily and without a doubt the worst thing he ever had properly published. I really wanted this to be good; you see, it's Buddy Glass copying word-for-word a very long letter his elder brother Seymour (who is, from this at least, though reading this has somewhat soured that, one of my favourite characters in all of fiction) sent from a summer camp in 1924, when Seymour was apparently seven years old.

   It already strains belief. The letter is well over sixty A4 pages long if you copy-paste the text from the link above and fart it into a Word document or similar. However clever or eccentric seven-year-old Seymour was, however injured his leg may have been, I simply do not believe that he would have devoted so much time to a single letter to his mother who he would have seen in a week or two anyway. Realism aside, the tone rankles. Seymour as the author of this letter is very obviously not a child and is very obviously Salinger himself attempting to pre-empt some bizarre precocious fantasy. There are extensive passages where this Literal Child at length objectifies the female camp warden's wife and thinks about what it would be like to pleasure her. Then there's the final forty percent of the letter, which is a "request for reading material" - deeply pedantically specific, unquantifiably esoteric, and of course far too much for even a very clever seven-year-old and his very clever five-year-old brother to get through in a handful of weeks at summer camp, where there are other activities, other children, etc. I really don't know what Salinger was trying to say with this piece. It really has forever soured my impression of the Glass family, who I always had prior found fascinating sources of curiosity as quasi-realistic character studies - but this letter and the portrait of the child supposed to be writing it paints, really just makes me sad. It's like J.D. had no clue what real people were like, were supposed to be like, were supposed to like, were supposed to do, say, write - and he just goes off on this nitrous tangent that's so ridiculous it would be comical if it weren't so long and taking itself so seriously. This letter did not make me laugh or even smile once in its fifty/sixty page length (once I'd copy-pasted it from that website and farted it into a .pdf so I could flip through it on my Kindle); and though Salinger is far from what I would consider a comic writer, everything else I've ever read by him has at least had a certain levity and humour to it that gives the impression that it was written by a human about humans. This doesn't. This is just sad. This is like some grand gesture of literary experiment that nobody asked for because everybody knows they wouldn't like it. And I didn't. Sorry, Seymour Glass. I hope your leg got better after all that - but I hope you got your sad arse out of bed and made friends with some other actual children at that summer camp instead of sitting around pretending that you can read French and Italian and German well enough to interpret those historical texts you requested to a degree that satisfies you. You know, Seymour - when I read this, I thought you were one of the most interesting characters I'd ever come across. But having read this letter to your mother, so devotedly re-typed by your brother Buddy, I feel nothing but sorrow for you. And not in the way that I would even want to comfort you. I can see myself watching you blow your brains out in that hotel room and I would feel nothing but relief that at least you weren't bothering the banana-fish anymore.

   That's almost certainly harsh. But he's not real, he's a character - and for Salinger to create a character of such complexity and mystery and depth in a handful of glimpses, only then to give us an extensive diarrhoea of a letter from this very same character that reveals him merely to be nothing but an imagined caricature of who I can only presume the author wished he had been somewhat like as a child so that he may have come closer to some kind of a spiritual fulfilment - I mean (oh man, don't even get started on Salinger and religion, he was Not to be Trusted with it in the slightest instance) - ugh. Jerome David, can you hear me? Nobody can know everything. Not even someone who did know everything could solve every problem just by knowing how. Calm down. Shut up. And in your grave if nothing else regret having made the New Yorker publish this total embarrassment of a "story". I mean - to have written the four books that you have, and then print this mess, is like performing an otherwise perfect decathlon and then halfway through the final 1000m sharting so badly that you slip over in your own excrement. If you enjoy Salinger's books, do not read this. It isn't one of them in the slightest.

Wednesday, 17 May 2023

the Book of Enoch

This book* - or probably more accurately collection of books - is typically referred to by scholars of ancient texts as 'the Book of Enoch', given the Judaic tradition that has followed them for centuries despite spurious archaeological evidence. Though most archaeological evidence referring to specific people is probably spurious going that far back.

   The claim is that this is a collection of texts recorded by Noah's (and therefore Abraham's, and therefore David's, and therefore Jesus's, etc) ancestor Enoch - during the period of post-exile-from-Eden but pre-Flood strangeness upon the Earth. And strange it is. I won't even try to give a close summary as there is a great deal happening in these chapters and if you're intrigued in the slightest I recommend going to the link above and reading the whole thing for free; but I will give a few flappy hints. Enoch is approached by renegade angels who have been teaching dark arts like astronomy and metalworking to humans; they ask him to help defend against the wrath of the Lord who wants to punish them for rebelling against him. Enoch sides with God. The rest of the (really quite longish) book is a series of spiralling visions where Enoch is shown both earthly and heavenly realms in a past and/or future sense; the metaphors are so dense it's hard to tell really what's going on. There is a section later in the book where several passages of metaphor do seem to prophecy events of the Hebrew Old Testament, using animals as stand-ins for the characters - but I don't know enough about Judaic tradition to confirm this.

   What I can say for certain is that the vast majority of Christians I know from my circles have never heard of this book, let alone would be able to interpret it properly. The text only survives because it was preserved in proto-semitic communities in Ethiopia well before 1000 BCE. So whatever else we might want to think, this is a very old text: and it warrants scholarly and prayerful interpretation. I'm still on the fence myself as to whether I consider it scripture - a big part of me keeps screaming "of course it can't be scripture, look how weird some of it is!" and then the other part of me keeps replying, "um, hello? Ezekiel? Revelation?"

   So.... yeh. This is an ancient text worth thinking about, for whatever it may turn out to be.



* There's a bunch of translations out there on the web and I want you to be on the same page as me reading-wise, so I've specifically linked the Andy McCracken translation above, stored in my own Google Drive as I know the sites that host these kinds of documents can often be somewhat temperamental.