This book is one I've read before and thus blogged about before, see prior post - although this text is very easily available for free online, I've not included links either there or here as maintaining an air of mystery seems key for me in these kinds of cryptic ancient documents. I can't really say I got much new out of it on a second reading - it still feels like wisdom farting in your face for fun. To discern anything meaningful from these writings would either take a lifetime of arcane study or an unthought-out kneejerk series of seemingly-brilliant hunches, neither of which I really have time for. As lurid and enjoyable as the Corpus Hermeticum is, I really don't think it has, or arguably has ever had, really that much to offer philosophy, science, or faith. So, yeh. Don't take my word for it - give it a google and read the .pdf of the thing. It will confuse you and illuminate you in equal measure, ultimately leading nowhere special.
Sunday, 19 May 2024
Monday, 13 May 2024
Stories of God
This book by Rainer M. Rilke is a collection of thirteen inter-related short stories, framed through the device of an unnamed narrator telling these stories to various elderly or disabled friends. It was written in 1899 after Rilke visited rural Russia where he met many spiritually inspiring peasants - the text has probably been translated into English a few times, but I used the Shambhala 2003 version.
Anyway. Whatever God these are stories of, it is not the Abrahamic one. Rilke's God is vaguely easy to like as a character but very hard to imagine one seriously worshipping as a deity. 'God' comes across as benevolent, yes - but also impotent, neurotic, infantile at times; the stories may have poignant poetic overtones but they are rather devoid of any meaningful insight into God's character as understood by orthodox tradition, or even mystics - it reads like the excited scribblings of someone who has found themselves suddenly entranced by mysticism & wants to dabble in it despite having minimal understanding of spiritual or theological frameworks underlying all said authentic mysticisms. Which, knowing Rilke's biography, is probably a fairly astute judgement.
The human characters in these stories too are quite boringly sketched; they seem to have one personality between them and that largely a mere mechanism for delivering authorial ponderings (except in the last chapter, where they behave more like actual characters) . This collection of stories may be titillating to the heart & provocative to the mind but they have virtually nothing to offer the soul. Which I for one found disappointing for a book of such a title. Sharpish prose & dullish ideas; interesting & entertaining, but not particularly helpful for any real, deep explorations in faith. A few of them are fairly edifying, but chapter eleven, about the artists' association, is in my opinion the closest any of them come to making an original potent point.
I would maybe recommend this if you'd be interested in well-written curious little folk fairy-tales with 'God' as the core character - but if you're looking for profound, challenging, spiritually-insightful fiction, this probably isn't it.