Thursday, 17 March 2016

Happiness by Design

This book, a highly-readable practical distillation of wisdom gleaned from years of behavioural socioeconomic and psychological research into personal and public wellbeing by happiness guru Paul Dolan, is a real treat. I picked it up out of pure whimsy (from a little high-end bookstall in St Pancras station, of all places), which is not my usual mode of bookbuying, but I'm very glad I did, as it helped build on loads of long-run trains of thought that I've been having for the past couple of years (as such, expect me to use this excuse to litter this relatively-short (every time I say that they seem to continue on to relative-longness in defiant verbosity anyway - I need a better editor) post with loads (and I mean loads) of links to an eclectic selection of previous blogposts).*
   Before I dive into reflection, I'll give an overview of the book, which despite the breadth and quantity of academic studies it draws on is extremely consistent in proposing a simple system for managing our lives in a way conducive to happiness. Part one of the book lays out this system, exploring how happiness is evaluated, felt, and aimed for. Dolan, in true behavioural-economist form, argues that happiness, as people generally experience it, is a psychological output resulting from inputs that yield combinations of pleasure and purpose. Maximising our own happiness is achieved by realising our preference functions for pleasure and purpose, working out how reasonably we can attain ideal combinations for these, and taking practical steps to reshape our lives to resemble and contain these combinations. The key element of how we do so is attitudinal - it's what we pay attention to that yields pleasure or purpose in our lives, and therefore considerable thought and effort should go into where we allocate our attention. This part concludes with an excellent chapter about psychological hindrances to doing this well; generally subconsciously, our lives fail to make us happy in particular ways because our desires are for unpleasurable or unpurposeful things, our expectations unrealistic, or our beliefs erroneous. Part two of the book, very straightforwardly, builds on this framework for how we can better attain happiness by giving some very generalistic (so suited to a range of people) but still rigorous (so not fatuous and actually extremely helpful) pointers about how we can reform our attitudes and behaviours to make our lives more conducive to happiness. The whole book is couched in the terminology and methods of behavioural economics and statistical psychological studies, which I loved, because it lends a strong scientific flavour to what is essentially an easily accessible and enjoyable book about how to take practical steps to making your life a bit (or a lot, maybe) better. Paul Dolan's framework is coherent, positive, and flexible - there isn't anyone I wouldn't recommend this book to if you want what must be one of the least wishy-washy self-help manuals out there, not to mention learning a buttload of interesting stuff from psychology, economics, epidemiology and whatnot about public behaviour and wellbeing (all these elements will probably be more interesting to you if you're an outright social science nerd, like me).
   Okay, now the kind-of-reflective bit.
   I'm not going to try to outline all, or even a summary, of my thoughts about happiness and wellbeing and life and purpose and so on from the last couple of years, as that would be pretty much unreadably personal and unwriteably long. But here are a few** thoughts.
   Happiness is, I think it's fair to say, taken as the point of life by most modern young Western people. Largely, it is pursued out of an individualistic perspective that sets up a goal which one expects or hopes will make one happy, and then the pursuit of this goal is prioritised (within a complex series of social and economic constraints) above most other things until it is attained - or not. In this way, we are like Jay Gatsby - albeit lacking his vast resources (money, prestige, charm, a nonjudgmental neighbour played by Spiderman). But even despite his enormous lack-of-constraints, Gatsby [SPOILER ALERT] failed in his personal quest for happiness, and so do many of us. We encounter problems during our pursuits of whatever it is we think might make us happy, and many of these are personal or circumstantial, but often they are connected to wider systems of constraints on the reasonable of individual capabilities to seek pleasure or purpose. In terms of happiness, this might be a helpful way to pose the concept of injustice: the avoidable perpetuation of these structures of constraints on people's pursuit of happiness. These kinds of injustices are not hard to see: socially and culturally pervasive sexism constrains women, aspects of freemarket economics constrain people all over the world in different ways, our skew-whiff relationship with nature constrains both the capacity of future generations to sustain themselves and also leaves contemporary society living in a stilted world alien to the biosphere that sustains us. Not everyone is affected by or necessarily cares about these injustices, but the fact of the matter is, this world is far from perfect, and we as relatively insignificant parts of it can hardly expect our quests for happiness to go smoothly at every turn. So we get frustrated, we get depressed, we turn cynical, and the modern response to so having so many potential traffic-jams on our road to self-fulfilment is, largely, to streamline our concerns. In Paul Dolan's language, to restrict our attention to only things that bring us maximal combinations of pleasure and purpose and stop giving a fuck (to use Sarah Knight's language, albeit in a mischaracterisation of her argument) about things that don't feature in those combinations. Basically, in the grim disappointing mess of reality, the search for happiness makes us selfish beings, as the way we define our priorities becomes subjective. And not everyone suffers the same injustices, not everyone experiences the same constraints, not everyone's struggles overlap - in fact they often conflict. This means that the quest for happiness, in aggregate, if people take their own subjective preferences and ambitions as the core pursuit of that quest, may well actually perpetuate injustices. (This is similar to what I discussed in my post about Sarah "IDGAF" Knight's book, and is also, I think, the one area (but it's a biggy) where Paul Dolan's book falls down in providing a coherent map to living well.)
   So, what's missing? Objectivity.
   This obviously doesn't entail everyone abandoning their own perspectives or preferences or whatever. This is the cultivation of knowledge, in individuals, of the nature of the world, of their place in it, of what they can reasonably expect to get out of life, of similar realities for other people, and of the legitimacy of both their own and another persons' claims to any particular pursuit. Wisdom, in a nutshell. Imbuing people with wisdom helps them come to terms with and make the best of situations they're in, rather than the desire-driven striving to be somewhere else, somewhere better, that comes with the subjective pursuit of happiness. Wise people can and do attain happiness, of course, but never indefinitely - because nobody ever does. Happiness is a feeling, it's inherently transient. Wisdom helps people know this, and so be comfortable with their lives even where they're not feeling particularly pleasurable or purposeful. This state of wisdom-based contentment I think is best referred to as joy: one finds a consistent set of good*** objective truths to live by and refer back to constantly, keeping both happy and unhappy moments in perspective.
   What is wisdom though? I want to clarify straight-off that it is not cleverness. It is knowledge, of a sort, but not the taught-or-learnt kind - the living, intuitive, adaptive kind, that can never really be proved beyond argument but the truth of which is generally evident. For examples - it is better to build than destroy, to trust than fear. However, the complexity of uncovering objective facts about a world that has so much wrong with it proves the application of wisdom difficult indeed. At the heart of wisdom though is a practical understanding of who you are and what you're doing in the world. Mindfulness (the practice of relinquishing worldly concerns by focusing on a simple task or sensory input) is one method, long-established largely through meditative Eastern practices and picked up increasingly in modern times by Westerners seeking inner peace, of trying to attain insights or disciplines that help one know oneself. Philosophy and poetry, though extremely different in style and substance, are both also things that can help us realise things about ourselves and the world that empower us, enlighten us, exercise our faculty of wisdom intellectually and spiritually. I think the chief practical insight of wisdom, something that I'd like to believe all humans know intuitively, something so obvious once known but so easily forgotten that regular reminders from personal mindfulness and conversation with friends, from philosophy, poetry, novels, newspapers, strangers, rocks, memories, TV, trees, even Buzzfeed quizzes (eh, well, ok) are needed to reorient our awareness and living-out-the-implications of this enormous truth, is that other people's lives matter just as much as yours. They are just as complex, just as worthwhile, just as full of self-justification and self-doubt, full of joy and fear and turmoil and loss and longing, subject to constraints on agency and choice, directed by a mixture of decision and circumstance.
   This in tremendously obvious (I hope) but I so easily forget it in the moment, swept along in my own subjective pursuit of what I think will give me pleasure and purpose. The point of philosophy or meditation or poetry or art (we'll come to that in a sec) is, in this view, to instill empathy, to make that empathy genuine and affirmative and proactive, to strengthen the bonds between human persons that they may help each other have better lives. And intellectualism can be an enormous asset in doing this: critical theory is a perfect example of a field where academics, in seeking to understand culture and politics, have developed ways of explaining differences between people and differing constraints placed upon them so that these groups can learn better about the others' experience and act in a way that helps lift those constraints rather than perpetuate them (remember, this is technically (well, by my own definition) injustice). Art though may be the greatest man-made vehicle of empathy. I mean - paintings and films and theatre and television and music aside (sorry, it's not that I don't love vast swathes of those things but this, if you hadn't noticed, is a blog about books) - basically any good novel or short story will test you, will force you to empathise, at least some of the way, with a character who is not altogether like you; will bring you to understand how another mind, another life, might work, and see something of human sincerity there, even if there isn't much. A few books that do this brilliantly are this and this and this. Oh, and don't even tell me you wouldn't offer Holden Caulfield a cup of tea and just try to have a nice chat with the poor kid.
   All worthwhile philosophy, all earnest and meaningful poetry or prose, leads in some way to the conclusion of wisdom that is empathy, extended equally and absolutely to everyone. In another word, love. I believe this pops up so consistently as the endpage of morality, the central gist of human life, not because it is a nice-but-improbable target that idealists throughout history have pinned up as a muse, but because it is objectively true. As a Christian I believe that God is the point of everything, including human life, including my life, including art and trees and philosophy and psychology and behavioural economics and the pursuit of happiness and everything we might interact with during that pursuit; and I also believe that God literally is love. God exists in ongoing eternal relationships, and we were made to do so too. (This post is already waaay long so if you're curious about the theology check out this excellent overview of Christianity.) This solves the objectivity problem: God has absolute claims over all aspects of reality because God created and sustains them, so we have a definite start on how to define 'good' (this book is an excellent philosophical exploration of how God's being good provides a platform for ethics, as well as guiding behaviours consistent with Christian joy). I do not believe that Christianity has solved the problem of happiness - in this broken world, there will always be constraints and frustrations to pleasure or purpose-seeking, no matter how much injustice is tackled. However, I do think that Christianity shows us the fallacy underpinning the whole pursuit: happiness, while good, is fleeting, and is not the point - God is the point, and God is love. True wisdom is knowing this and acting from it.
   I think, as a concluding remark, that Paul Dolan's excellent insights in this book into what happiness is and how we can actively pursue it are wholely worthwhile and deserve to be read and heeded. However, they are grounded in a subjective and individualistic worldview that pays little attention (ironic) to bigger questions about the point of the entire venture - and these are questions that need asking. Reading Paul Dolan's book without belief in anything concretely objectively good may, I fear, render in people the kind of selfishness that neoliberal society mistakes for rationality. Reading this book in light of a coherent joy-giving worldview though, I think will help people make practical marginal increments on their own happiness while still operating primarily out of love (pay Søren Kierkegaard a visit, my fingers are starting to cramp). Happiness 'by design' of individual agents seeking to maximise it isn't a patch on experiencing happiness as a natural part of a joyful life in loving relationships with God and everyone else.

I've written way too much. Again. Here's some relevant poignant Bible words.

"I have seen the burden God has laid on the human race. He has made everything beautiful in its time. He has also set eternity in the human heart; yet no one can fathom what God has done from beginning to end. I know that there is nothing better for people than to be happy and to do good while they live, that each of them may eat and drink and find satisfaction in all their toil - this is the gift of God."
- Ecclesiastes 3: 10 - 13



* My half-sincerest apologies for that extended double-nested parenthetical statement. That was monstrous and totally unnecessary but quite fun to write.

** A few. A few. Ha. Hahaha! I've just finished writing this post and reading back over it - good grief. How in the name of Buddy Glass do so many small thoughts grossly overextend into full-blown rambles? Ah well. You either read it all or you didn't. Kind regards.

*** I specify 'good' here because if one settled on objective truth that didn't build a worldview that you could comfortably accept your place in, it would ruin you, and you'd probably return, one way or another, to subjective self-directed happiness-seeking, albeit tainted by the haunting knowledge of a universal meaninglessness. Hm.

Saturday, 12 March 2016

the Mighty Book of Boosh

This book, the efforts of Julian Barratt and Noel Fielding (and Rich Fulcher, Dave Brown, Michael Fielding, Richard Ayoade, and a few other people) to convert into glossy hardback book format the same zany spatchcock whimsies and characters who populated the stage show, radio show and ultimately TV show known as The Mighty Boosh. If you've not heard of this show, go away and buy the boxset right now and devour it, you'll love it; basically if you don't know the show there's no point in you reading this post other than to the end that you might come to know the show. If you do already know the show, well done, feel free to read on. I must admit, I feel slightly delegitimised in my book-blog-doing lately since this is the third book in a relatively short space of time that I've read that has basically been a content-transplant from a televised comedy (see also The Thick of It and Alan Partridge) - but who cares, culture is culture, and I've had enormous amounts of university reading to do recently so I've been taking on much less heavy stuff for recreational word-consumption. I don't need to justify my habits to you. Who even are you? Nobody reads this blog.
   Anyway: this book, to those who enjoy Boosh, is nothing amazing but is a nice fat compendium of reminders of what you love about the show, presented in a hugely creative range of visual formats and styles. Amid the majority of the book being more-or-less random graphics and visual mashup pages of behind-the-scenes rough-work content from the show, The Mighty Book of Boosh actually contains a lot of amusing stuff: there's an extended bickering email chain between shamans Saboo and Tony Harrison, there's extracts from black magic tips & tricks from Naboo the enigmatic stoner shaman (by far the best character), there's Bob Fossil's full list of 'talkbox' notes-to-himself, there's a short gallery (with commentaries) of Old Gregg's watercolour paintings, there's one of Dixon Bainbridge's manly accounts of colonial heroism, there's a full-length story about Charlie in which he has a fight with a black and white rainbow, there's an extract from Bollo's scrapbook (including his letters to Peter Jackson when he, as a gorilla, tried to audition for King Kong), there's a memoir from the Hitcher about his Victorian upbringing, and needless to say there is a huge amount of edgy-fashionista pulp from Vince Noir and pretentious-jazzy drivel from Howard Moon. Howard and Vince carry the content just as they carry the show, the borderline-surreal angles taken by the world of Boosh kept in balance by their gloriously relatable comedic chemistry, drenched in pop-culture savvy wit, their contemporary-twentysomething-Londoner lifestyles overlapping the talking forest animals and dark magic and whatnot of the show in a single weird internal logic.
   Other than the short-but-hilarious full-colour sixteen-page comic inserted in the book's middle (in which Howard buys an old Spider & Rudi jazz-fusion record), the highlight of the book has to be the crimps. The crimps, in the show, are playful shortish improvised-sounding funny little songs (seriously, watch these) that Howard and Vince chuck about every so often, in quiet moments, just between them; they're so distinctively Boosh though, and so delightful, that they encapsulate so much of the beating heart of the show by directly capturing the pure creative synergy and flow between Howard and Vince, two characters who are so different but who work together to form a twosome perfectly, and the crimps display this perfectly. In the book the lyrics to the crimps are written out in expansive twisty flowing colourful text, graphic and often difficult to read but if you're familiar with the crimp you can follow it, and the drawn visualisation of the words fits Howard and Vince's performance of them brilliantly. Crimps are the most delightful aspect of Boosh as a show, and I think it's genius that they managed to convert it into something printable.
   Overall, the whole book follows this creative line really closely, and manages to be as visually enjoyable and engaging as it is genuinely funny to read, with intensity of both words and pictures spaced out nicely. So, this book would be a pretty good present for someone who loves The Mighty Boosh, and introducing someone to The Mighty Boosh would be a pretty good idea for anyone who appreciates innovative fantastical comedy.

Thursday, 25 February 2016

the Ladybird Book of Mindfulness

This book, part of a recent effort popular among British hipsters in their late-20's-early-30's (no actual research done here I'm just going by stuff I've seen on social media and my own preheld stereotypes) to revive the old Ladybird Learners - you know, those A5 hardback books for kids with delightfully calming full-page watercolour illustrations and easily-readable friendly informative text educating the young reader about a particular topic, for example 'Vehicles' or 'Dinosaurs' or 'Space'? Everyone's dad or mum had them when they were young and they've kept them somewhere in a box of old stuff and you probably had a passing familiarity too throughout your own childhood because of these books' sentimental value to your parents. Eh, maybe I'm assuming a minor aspect of my early life to be more culturally typical than it is. Do you know what I'm on about? No? If not you may as well just give up, this post has nothing for you. Actually no, stay with me. You might like the idea of this. You might not like this post though, I can tell from glancing over what I've already written this is gonna be a pretty sketchy one. This has been a horrific paragraph and all - I'm starting a new one.
   So, anyway, this is part of a publishing effort to pay homage to these classics, only with a satirical twist - these are Ladybird Learners Books 'For Grownups' - i.e. tackling not general concepts to educate oneself about in childhood but large social and cultural challenges facing [contemporary British hipsters in their late-20's-early-30's, sue me for inaccuracy]. Titles include not only Mindfulness but Hangovers, Dating, The Wife, The Husband, The Shed and Hipsters and a couple of others that I can't be bothered to click 'next' on my Amazon search in order to name. The format is the exact same: calming full-page watercolour illustrations (cannibalised from the Ladybird's classic range of books) and easily-readable friendly informative text, only rather than educating, every page pretends to explain the illustration in a slightly absurd and completely sardonic way. To give you a taste of what this looks like: a delightful calming full-page watercolour illustration of a mill in a windy cornfield with autumn clouds scudding by overhead: the easily-readable friendly informative text to the left reads "Mindfulness is the skill of thinking you are doing something when you are doing nothing. One of the good things about mindfulness is that you get to do a lot of sitting down. Sitting down is good for the mind because so much energy is stored in the lap." Or a delightfully calming full-page watercolour illustration of a middle-aged farmer kneeling at his prize turnip amid a largely-weedy field: the easily-readable friendly informative text beside it announcing "In ancient times, Guru Bhellend entered a state of mindfulness that lasted thirty-five years. During this time, he thought about everything. When he had finished, he wrote the answer on a grain of rice. He never married." It's pretty low-level entertainment but amusing in a dry little way, like how a stranger who manages to be both a bit eccentric and a bit boring starts making comment-sized chunks of conversation with you during a prolonged passive encounter (e.g. at a bus stop if you had first exchanged a brief complaint about tardy public transport to break the ice). (I have no idea where that came from.)
   Mindfulness, to get back to this book, is a concept much punted about by young adults I know, or at least the culture they're a part of: it's a pretty vague but agreeable state or feeling people try to experience to improve inner peace, self-knowledge, stress relief, and a variety of other kinds of psychological and emotional stability. It's a lovely idea, one the practice of which can involve almost anything depending on what helps you focus on a simple physical repetitive task or arrangement of mental/sensual inputs, so as to free the mind from concerns about anything not included within that experience. For some people it's scented candles and a hot chocolate and knitting along to folk music, for some people it's jogging to a park bench and sitting down and staring into space for a bit, for some people it might be stroking a cat, for some reorganising a bookshelf, for some making chapattis or pancakes or cheese on toast, improvising jazz on the piano, whittling in the bath, cracking open a can of lager and watching football or cult sitcoms, covering entire pads of paper in intricate doodles while vacantly humming along to Classic FM, whatever. Variety is the spice of life.
   I've actually tried practicing mindfulness recently;* to be honest it just felt like a pretty normal 'solitary attempt to relax' so the deliberate intentionality with which I embarked upon it just made it feel forced, and while I certainly had a peaceful life-affirming time, it wasn't in a particularly different way to any normal successful 'solitary attempt to relax'. Hence my cynicism about mindfulness, which endeared me to this book's skewering of those strange impractical beings among us who strive for it. Just calm down and relax like everyone else does, do something you enjoy and affix your attention to it so you enjoy it properly. That's not a groundbreaking mode of how-to-do-life (this is though - lolz); it's just part of how you should be doing stuff anyway.
   I think this might be one of the most stream-of-consciousness/actually-just-bonkers posts this blog has ever witnessed. I'll just wrap it up here. This Ladybird Book of Mindfulness, along with (one would expect) the other [7? 9?] books in the series. Note to prospective readers of this book - if you're interested in mindfulness, expect to be amused but not aided in your striving to be mindful. More to the point, if you're interested in mindfulness, stop taking it consciously seriously as a lifestyle/mindset/worldview pursuit! Just start relaxing naturally - throw your mind and senses more fully into your activities and pleasures, whatever they may be.

Peace, fellow human.


* The first time I literally just listened to techno-funk remixes of vintage soul tunes for ninety minutes while colouring in a mandala and eating pistachios. The second time, I'd found out that the YouVersion Bible app has an audio feature, so I coloured in another (arguably better, at least more intricate) mandala while listening to the entirety of Ecclesiastes and eating a small range of sandwiches. The third time, I lit an incense stick, made a cup of lemon & ginger & honey tea, and just listened to Kanye West's new album The Life of Pablo all the way through (only available on Tidal and, erm, Piratebay, because nobody has Tidal and nobody's going to get it just because Kanye's on too erratic and immense of an ego-trip to just release an album like a normal $53million-in-debt Greatest Artist Of All Time would. Dammit Kanye, why do you do this to yourself!?).
   I would highly recommend any of these activities as 'solitary attempts to relax'. Reflective prayer and going for walks and reading Good (Søren Kierkegaard or Emily Dickinson or the Catcher in the Rye or the Remains of the Day kind of Good) books are also things I've found surefire ways of instilling clarity and tranquility.

Wednesday, 24 February 2016

The Life-Changing Magic of Not Giving a F**k

This book, a lifestyle/mindset/worldview/self-help/whatever book by Sarah Knight, is much less counter-cultural and irreverent than it pretends to be. I bought it literally because I'd had a weird day and the title made me laugh, but then once I started reading it, I realised there was more subtlety to her lifestyle/mindset/worldview/whatever (let's just call this a 'mode') of Not Giving A Fuck* [NGAF] than I'd presumed.
   Rather than completely sacking off everything that you don't unquestionably want to do (I call this amoral extreme-end of NGAF the Zero Fucks Given [ZFG] mode), successful NGAF is about 'budgeting' the fucks you give to maximise personal happiness - it's more of a form of mental decluttering.** This budget operates by scrutinising demands, real or perceived, on your time, energy and money, and assessing which of these are actually worthwhile given their impact on your happiness. Things which genuinely do improve your life, or upon which you're dependent in some reasonable way, it's worth giving a fuck about: things which you simply do out of social/cultural/economic obligation, if reasonably avoidable, go ahead and cease giving that fuck. A big part of this is detaching yourself from caring too much what other people think of you and your choices. She is careful to stress that adopting NGAF as a mode shouldn't turn you into an asshole - determining whether it is someone's feelings or someone's opinion 'obligating' you to give a particular fuck is a good way of negotiating situations where you can legitimately give fewer fucks without hurting someone (even if you might upset them a little bit, but that's their fault for thinking something they give a fuck about is of universal value). I'm not entirely convinced that she's solved this Not Being An Asshole problem, as I'll discuss shortly, but she's definitely worked out a fairly reliable model for organising fuck-giving decisions (there's even a fucking flowchart).
   Having established this framework, Sarah then walks us through Things, Work, Friends, Acquaintances & Strangers, and Family, to help us determine which fucks to decide if we give or not - these sections are accompanied by listing exercises (which I've not done yet as I gave more of a fuck about finishing the book*** than actually performing NGAF-style decluttering). Once we've decided what we give a fuck about, she then provides some helpful pointers about how we actively stop giving particular fucks (without being a dick about it); these methods revolve around honestly and politely explaining yourself, and actually she gives some really helpful pointers. The whole book is littered with examples as well. Finally, she revisits our NGAF-enlightened life, decluttered of unwanted fucks, and shows us how much better for body, mind and soul it can be. Great.
   For all the efficacy of NGAF as a mode, I had two main problems with this book. Firstly, it's a mode very much tailored to highly-autonomous individuals - people without social, cultural, or economic disadvantages holding them back from deciding exactly what they want to give fucks about. The book's target market is almost definitely American middle-class misanthropes (every single example given reeks of this: oh no, an acquaintance's weekend wedding in Europe! oh no, a skiing holiday with the inlaws! oh no, a colleague's poetry recital!), but something as generalistic as a mode should be one that at least works for people with varying degrees of privilege. People who are constrained by social, cultural, economic, or any other kind of disadvantage often simply don't have the freedom to not give fucks about certain things that someone with more autonomy in how they allocate their time, energy and money would readily stop giving a fuck about. That's not to say I expect a mode to completely solve all inequalities of individual capabilities - that's fucking absurd. However, NGAF does clearly work better the more privileged you are, but unfortunately so does life in general in many ways (like, that is the nature of privilege), so maybe this isn't a problem with the book at all and I'm just upset about injustice. Probably. I often am. Who gives a fuck.
   Secondly, I had a bigger and more substantive objection to NGAF as a mode. I think it lies at too much risk of turning into ZFG - i.e. a mode where no fucks are given about anything that is not of direct self-determined desirability to an agent. Although Sarah Knight has tried build a consistent safeguard against this into her methods, I'm not convinced they'd stand the test of real people. Let's use Rick as an example. Rick's catchphrase is literally "I don't give a fuck"**** - he's narcissistic, nihilistic, basically just a nobhead. Now, he's also fictional, but he represents the selfish core of all human agency, which is especially strong in highly-individualistic neoliberal societies like modern Britain and America. Empowering neoliberal nihilistic narcissistic nobheads with the sense that their happiness is the top priority of any exercise of their agency isn't spiritually healthy for society - you don't have to think too hard once you start NGAF to realise that the constraints of not hurting other people or their feelings aren't objective boundaries, and you may as well just maximise your own happiness-oriented agency and give zero fucks. If part of NGAF's foundation is detaching yourself from what other people think, where does the requirement to not be a dick come from? If you can live with yourself being a dick, surely other people's opinion doesn't matter, and the only reason you'd need to mitigate your dickishness in any ways to any people is because you've worked out you get more from maintaining a relationship in a particular way than you would by letting your ZFGness taint it. Basically, I believe that people are naturally inclined to be as selfish as they can reasonably get away with unless hooked onto a positive love-oriented mode,***** but NGAF is the opposite of love-oriented - it's self-fulfilment-oriented, and so will naturally tend towards decaying into ZFG - people will become Ricks (apart from not elderly alcoholic genius scientist terrorist inventors: at least not in all cases. Lots of people might just not be very smooth at the ZFG method and become this guy).
   So, this book makes some interesting recommendations about how to mentally declutter, but I think given our sociocultural context of rampant individualism, we should be wary in accepting modes of life like NGAF - it will only further fragment communities, widen inequalities, perpetuate injustices, and loads of other things that I give lots of fucks about.


* I was going to censor this post but I decided that since nobody reads this blog anyway it would be a waste of a fuck if I worried about offending someone. I censored the 'fuck' in the post's title because she censors the 'fuck' in the actual title of the book - I guess you can't have the word 'fuck' proudly displayed on public bookshop shelves or something. Also, it's 2016 - how are you not completely desensitised to the word 'fuck' yet? I have been since the age of twelve or so (unless around particularly sheltered company, where conformity instincts kick in and I feign a little flinch if Rude Words are said). If you have a problem with this word, Sarah Knight's book is probably not for you. I didn't count but I'm pretty sure there's over a thousand fucks included in its wordcount - simply because the 'fuck' is the key concept to her system of ideas and practices, so why the fuck wouldn't she fucking mention fucks a lot? (I've used 42 in this post. Just did a search.)

** Sarah Knight does in fact attribute the book's inspiration (and title) to a Japanese bestseller, Marie Kondo's The Life-Changing Magic of Tidying Up - this book is basically an extension of those principles into what you give fucks about.

*** I'd planned on breezing through it and then writing a one-sentence blog post about it, simply stating that in the spirit of the book I wasn't giving a fuck about this particular post, but I actually had some pretty interesting thoughts about this book and the NGAF method, so here you fucking go.

**** Okay, so he has several. Wubba-lubba-dub-dub, whatever, I don't give a fuck.

***** Yeh, five is definitely too many asterisks. I've already opened tabs for the links I was going to use to expand on this point though, so I'll type up the fucking footnote anyway. Humans are social animals by nature, highly community-dependent and enmeshed in complex layers of obligations: I believe this is due to our being made in the image of a God who is primarily relational and exists as love. This means social systems of obligation, i.e. things we're made to give a fuck about, can't be reduced to individual decisions - some things are required for communal cohesion, for effective societies, for justice - and responding to these complex structures of obligation in a way that truly reflects our nature as beings made to love and be loved is bigger than simply giving moral fucks, as all fucks which we do or don't give reflect part of our volition to work for collective good or for our own. And that means non-individualism should be fundamental at the individual level. (Didn't know which words to use as the link for this but it's also somewhat relevant.)

Wednesday, 10 February 2016

Works of Love

This book, a series of in-depth philosophical-theological-social-ethical meditations on the nature of Christian love by the great Danish thinker Søren Kierkegaard, is one of the most rewarding, challenging, and uplifting books I've ever read. I started reading it way back in October 2014 as it was one of the recommended readings for a philosophy module I was doing - I used it as one of the foundations of my mini-dissertation but never actually finished it, despite finding it thoroughly enjoyable and stimulating. This was probably because it's very long and very dense, and I prefer reading shortish easyish books so I can finish more sooner so my blog racks up more posts (only half-jesting here): but in the last months of 2015, given a particular prolonged mindset that came over me, I returned to Søren's work and it has genuinely helped me keep my mind and heart oriented in joy toward God who is love. The blurb of my copy proclaims boldly how 'LIFE CHANGING' a 'SEMINAL WORK' this is, and it is, but like Emily Dickinson (another writer whose work in recent months helped me continue to know God, love and joy), Kierkegaard's life is not as fondly celebrated as his works, because it was also often characterised by loneliness, illness, and sadness.* What I find brilliant about these two, American poet and Danish philosopher, is that their work does tell of this misery - but refuses to let it define it (or them) by being the ending: both resolutely turn to God, to love, to joy, and adroitly display what a complete comfort that is. So yes, for a struggling Christian, this book probably would be life-changing, for the depth, breadth and persistence of its complaints, rebukes and encouragements.
   I should probably discuss the book's content a bit.
   This is easier said than done: Kierkegaard is a highly analytical but far from a systematic philosopher, and the subject matter lends itself to deep idiosyncratic meditations on a particular aspect, angle, or argument. It's not just random reflections bundled into chapters though: coherent structures to his thought are evident throughout, and every point he makes or conclusion he reaches is, with some thought (or, thankfully, more often, his own continued explanation) consistent with the overarching pictures he paints about what love is and how it works. I won't really go into these, as they run very broad and deep. The first half of the book tackles the meta-nature of love: how Christians understand God as being love, how God's eminence as the primary and defining being therefore makes love the primary and defining force and essence of all reality and how this should upend everything we think we know about goodness, since human ideas about 'love' are minute, immature, corrupt and skewed compared to the actuality of God-as-love. He also explores the notion of commanded love, how there is no contradiction in love being a compulsory facet of human activity, questions of who our neighbours are (hint: everyone) and why human nature's relationship to God's nature compels the loving-each-other-as-ourselves core of Christian ethics.
   The second half of the book is applications of this radical conception of Christian love to various active aspects of life: encouraging people, trusting people, being hopeful, seeking others' good, forgiving and forgetting, remaining loving, being merciful, winning over the unloving to the cause of love, mourning the dead, and praising love itself. Kierkegaard examines each of these facets of how we live in love, building from the conceptual base of the first part. One point that he frequently restates I will mention because it's a brilliant realisation: if God is love, then in any functional relationship between humans, all feelings and actions between those humans is irrelevant, as a functional relationship is a loving one, which necessarily includes God as a third element in that relationship, and God in perfection necessarily flattens all non-perfectly-loving elements of each of the two persons as they are no longer just relating to each other but to God. This holds for any two persons, be they friends, enemies, you and some homeless guy you'd really rather not feel compelled to buy a sandwich. Of course, such relationships, in our broken and sinful world, do not de facto occur, but by the grace of God and the uplifting work of his loving Spirit, we can (should) strive to emulate them.
   If I've made it sound complicated please forgive/disregard me (or leave an angry comment if you're so inclined, goodness knows it'll be nice to at least know that I've got readers). Søren is a philosopher but this is not a philosophy book: he's not developing complex theoretical structures or proposing grand intricate maps of reality: he's a Christian, using his ability as a philosopher to walk the reader in wisdom through his many thoughts about the most important thing a Christian thinks there is - God-as-love. And yes, these thoughts are extremely deep at points, yes, at points he goes into a lot of detail to argue for a particular point and so the prose becomes difficult and dense, but stick with these passages, because he uses them to connect thoughts that bring you to a realisation of some truly beautiful things, some intensely challenging things, some immeasurably encouraging works of love.
   For a Christian reader, this book is now one of the first I would ever recommend someone read - it is supremely uplifting, and you genuinely feel you are discovering more about how to know, serve and emulate God. Non-Christian readers might also enjoy it but I would expect they'd find it confusing: the active reality of Christian love is so counter-intuitive, so against the grain of our modern cultural sensible individualism, that Kierkegaard's conclusions would just come across as mad. And in a way they are - I certainly felt that - but that's why it's such a refreshing challenge, because humans are built to know God, to know love, but we are so distant from its reality that hearing extensive in-depth truths about what it is and how it works and how we fit into it doesn't immediately feel like good news. But, of course, it is. [I was going to find a quote from the book to lend this concluding sentence a bit more oomph, but there's just too many good ones, and I can't be bothered to comb back through the whole thing. Anyway; absolutely worth a read.]


* A fact that is better reflected in his other philosophical works, most of which are about irony, despair, godlessness, and so on. Also, this hasn't got much to do with anything I've mentioned in this post but I want to include a link to it anyway because it's hilarious: follow this twitter account for a superb feed of Kierkegaardian thinking combined with the everyday lifestyle reflections of Kim Kardashian. You're welcome.

Tuesday, 2 February 2016

Dealing with Depression

This book by Sarah Collins and Jayne Haynes is a short overview of the challenges Christians face when struggling with, or knowing people who are struggling with, depression. I bought it because since mid-October I've been going through a fairly mild but still unpleasant bout (yes, that is the main reason why my blog's been fairly dry over winter - sorry) brought on mainly by prolonged unemployment and exacerbated by my lifelong insomniac (and somewhat neurotic) tendencies, and this seemed like a good resource. I can attest that it was, but not as immediately helpful as talking openly to close Christian friends, and even more importantly, praying, about the issues I was facing. Other books have also been huge helps, primarily Emily Dickinson and Søren Kierkegaard, writers who express joy and beauty in more accessibly poignant ways than almost anyone else I've ever encountered: perhaps because a constant self-aware love of God lay at the heart of each of their efforts as poet or philosopher.
   Anyway, I should probably say something about this book. It's a decent resource - overviews the basics of depression, its diagnosis, treatment, and particular problems that it may pose for Christians who may perceive it as spiritual as well as psychological; the writers take us to the Psalms, where comfort in sorrow can be found, and remind us of some solid gospel truths to keep in mind or speak to those suffering from depression. Each chapter closes with a Christian's account of their struggle with depression and how it affected their faith, or how others encouraged them: similarly, there are appendices recounting a pastor's efforts to disciple a sufferer, a husband's account of his wife's suffering, and an in-depth story of a first-hand struggle (told by Roger Carswell - a great man, he's written dozens of Christian mini-books like this one, and is an old friend of my dad's).
   I think this book could be an excellent little resource for equipping churches to better engage with depressed persons, but if you are actually depressed and struggling to fit that into your Christian worldview, this could be helpful but probably isn't the book you need: there are plenty of others out there, but honestly, I would recommend you turn instead to God's word itself. Oh, and talk to people - I know that can be hard, but hopefully Christians are getting better at picking up clues about mental health, and they'll be there to initiate, include, and encourage you.

Monday, 18 January 2016

the Beijing Consensus

This book is a short study on China's international economic stance for the Foreign Policy Centre by Joshua Cooper Ramo. It was one of the many many things about that which I've read over the last month for an essay (hence why this blog has been largely postless in that time, I've been doing mostly course reading, and rarely do I actually finish an entire book for that. I've also been playing borderline-obsessive amounts of Fallout 4, and it was the whole Christmas-and-such debacle a few weeks ago, but I digress). I can't really be bothered to write a proper post about it. The 'Beijing Consensus' is the informal state of affairs by which China, through diplomatic and resource-acquisitive and sheer-we've-got-a-massive-economy means, is increasingly building up an international norm of self-determination among smaller developing states, i.e. helping them ignore/bypass the Washington Consensus (the formal state of affairs by which the USA, through diplomatic and military and resource-acquisitive and sheer-we've-got-a-massive-economy means, spent most of the 20th-century increasingly building up an international norm of America-determination among smaller developing states, i.e. helping them doing whatever America wanted/needed them to do). Ramo, as you'd hope a policy researcher would've, has done his homework, and this book, though slim, is chock-full of economic statistics and nuggetty facts demonstrating that the Washington Consensus was pretty regressive but is bit-by-bit getting replaced in many continents by the Beijing Consensus, which also comes across as a much less parochial structure. Good on you China, I guess. Anyway, this'd make interesting reading to anyone who likes big-picture international politics or economics or relations or whatever; I especially recommend it if you're writing an essay about China's place in the modern global economy.

Don't tell the Foreign Policy Centre but I've uploaded this into my Drive so anyone with the link below can read it for free. It was probably elsewhere on the internet already. Google Docs can't hack .pdf's though apparently, so it screwed up the formatting a little bit, but it's still a rather interesting read: here.

Tuesday, 5 January 2016

Emily Dickinson: selected poems

This book, the 'Everyman's Library Pocket Poets' selection of 207* poems by esteemed-posthumously but unknown-when-alive introverted genius poet Emily Dickinson, is pure gold. I don't often read poetry, but E.D. is one of those big unignorable names, and when an alien in a novel I read back in 2014 found himself converted to humanity by reading some of her stuff, she became a rather more powerful blip on my poetry radar. I'd ingested snippets of her work, but reading through a full book** of poetry (even if it's barely making a dent in the 1780 or so she wrote - fortunately all of them are available for free on the internet) was an entirely more wholesome, uplifting, spiritually refreshing experience. I'm not meaning to come across as sarcastically poetic, this is legit poetry: it steers the heart and mind of the reader into fleeting contact with the eternal unknowable splendour of beauty and truth, of nature and God, of goodness and lightof life and infinity and the mad joyful place individuals can but take within the cosmos. These are the themes of her poems.
   The collection is split into three sections, Death and Resurrection and Works of Love broadly explore these, and The Poet's Art likewise but with a more reflective focus on the work of poetry as an attempted series of communications of these enormous themes. There is nothing I can particularly say to sum up these poems but that they are magnificent and should be compulsory reading for all humans. I didn't even really have many thoughts in response to reading them - I was mostly just overwhelmed by 'wow' at the sheer power that language can have if arranged in such a way as this. This is poetry at its best: subtle yet vivid, sometimes funny, idiosyncratic, warm and honest and kind (often poems are direct complimentary praises of undersung animals, which is nice), full of God and perfection and humanity and finitude and bees and love and flowers and birds and the sky and the sea and heaven and morbidity and self-knowledge of the type that makes you realise how truly small you are in the world and how wonderful that can be.
   You don't have to read this exact book but please, I implore you, make your life richer, at least read some of Emily Dickinson's poetry - start here.



* I highlighted my favourites (i.e. ones that made me sit back, stare at the ceiling for a minute, exhale poignantly, blink and frown/smile, then re-read slowly) as I went through: 1, 2, 3, 5, 6, 8, 13, 16, 22, 24, 28, 31, 36, 37, 39, 46, 48, 51, 52, 59, 63, 65, 68, 72, 74, 81, 82, 89, 95, 106, 109, 119, 131, 133, 134, 137, 142, 149, 151, 152, 164, 167, 168, 176, 178, 182, 185, 190, 192, 194, 200.

** The story of how I acquired it is quite good. I was in Paris last December, protesting for stronger international climate action at COP21, and while there among the many conversations I had one was about Emily Dickinson with an anarchist who was part of our demonstration group. They'd read her work before, and wholeheartedly encouraged me to do so; they also bemoaned the capitalist exploitation of her body of work for profit when she never profited from it herself when alive, and barely even had recognition for it. Seriously, read her life story, it's really sad. A woman who spent her life largely alone in thought and wonder constructing poems of unspeakable beauty about yet-greater-still unspeakable beauty - now packaged out by publishing conglomerates.
   Anyway. On an afternoon off from training/preparing/planning/protesting, this leftist poetry-fan and I and a couple of others visited Shakespeare & Company, one of the most famous independent bookshops in the world, round the corner from Notré-Dame Cathedral - it's like heaven in there, fat shelves stacked to the ceiling with volumes old and new and fat and thin (but all expensive, I only went in to look around and smell things). Several hours later, back at the activist lodgings, my anti-capitalist acquaintance said "ooh, I forgot" and presented me with this very poem collection, which they'd apparently stolen as a gesture of respect for Emily Dickinson against modern booksellers. I'm not entirely convinced by their logic but I can respect the radical romanticism of their general intent. And it was indeed an excellent book, so thank you, my friend.

Saturday, 2 January 2016

2015 overview

At the beginning of last year I did a recap, basically to assess how my blog's going as a project for me. This is very much the same gist so I've copied-and-pasted most of that one into the intro for this post. Sorry.
   So, this post isn't about a book I've read. However, this whole blog was started about two years ago in an effort to encourage me to read more critically; to retain more of what I read from non-fiction books, to derive more meaningful enjoyment from fiction books, and generally to force me to keep up a regular reading habit in case strangers on the internet got the impression that I was slipping.
   Anyway, with 2015, the sophomore year of Thoughts on Books, behind us and an arguably admirable forty-five books (of massively varying length and intensity) under my belt (a dozen more than 2014), I'm glad to announce that this blog remains a pleasurable habit, one which I will continue into the foreseeable future for all books I finish reading.
   But before I start dumping my reactions from books in 2016 upon you, I'm going to reflect on some of the ones I finished this year, with a handful of books best befitting a series of arbitrarily-selected categories. These will probably just be the ones with the most memorable reading experiences, but I will have distinctly separate reasons for choosing each one. So, here we go:
   (I notice, shortly before publishing this post, that I've included almost two-thirds of the books I've read this year in this list, which is hardly a tightly-disciplined selection, but what can I say, I read some bloomin' good books in 2015 and if they deserve mostly-lengthyish posts each then they certainly deserve a mention at the end of the calendar.)
  1. Must-reads for everyone interested in social/political/economic issues:
  2. Maybe-not-must-reads but interesting books about economicsy-stuff that I wrote proper reviews for a proper blog about:
  3. I learned a load about gender this year, kickstarted by the Equality Illusion by Kat Banyard and also by a philosophy module in feminism; Justice, Gender and the Family by Susan M. Okin and Delusions of Gender by Cordelia Fine then together convinced me that gender should be more or less abolished, an opinion which had considerable friction with much mainstream Christian thought, and I tried to reach a reasonable conclusion to my gender reading-list after Tim and Kathy Keller's the Meaning of Marriage
  4. Some good heart-challenging Christian books:
  5. And also 3-2-1, which is just a fab intro to Christianity
  6. I reread everything by J.D. Salinger and strongly suggest you do too (in any order, but my posts about them are best read in the following order): Raise High the Room Beam, Carpenters & Seymour: an Introduction and For Esmé with Love and Squalor and Franny & Zooey and the Catcher in the Rye
  7. Two books based on BBC satirical sitcoms by Armando Iannucci (a very specific but gloriously clever-and-funny category):
  8. Two novels that made me cry a bit in a manly fashion:
  9. A genius collection of bittersweet (emphasis on bitter) short stories: Praying Drunk by Kyle Minor
  10. And a genius (moreso in my opinion, true genius always has hope at its heart rather than despair) collection of bittersweet (emphasis on sweet) short stories (and essays): the Opposite of Loneliness by Marina Keegan
  11. Several children's books that are actually really good:
  12. And a children's book that actually wasn't great but I just think my post about is quite funny:
  13. I don't even know, I laughed an enormous amount at this one but would probably not recommend to anyone:
  14. Just a wonderfully elegantly thought-provoking reading experience, What? by Mark Kurlansky
  15. And an unprecedentedly complex genre-defining mind-blowingly epic classic that I owe a re-read, Dune by Frank Herbert
I don't know if you're a regular reader or not, or even if I have any of those, or any readers full-stop, but I hope you enjoy and maybe continue to enjoy my spewage of half-thunk reactions to prose well into the future. [Also, I realised at the beginning of 2015 that in 2014 I'd barely read anything written by non-white-males that year, which was not deliberate but is pretty bad in terms of limiting my intake of human experience and viewpoint. I made more of a conscious effort in 2015 to read things from underprivileged groups who haven't always found it ludicrously easy to make their voices well heard in the publicity of verbage, and will continue to do so in 2016.]

I briefly considered also copy-pasting the unwarrantedly-enthusiastic endnote, which is basically a toast to words, from last year's post. If you want to read it and laugh at me go right ahead, I'm there too.

Friday, 4 December 2015

I, Partridge: We Need to Talk About Alan

This book, the warts-and-all 'autobiography' of Alan Partridge, undoubtedly one of Great Britain's national treasures of TV/radio/general broadcasting, was an absolutely cracking read. For those of you unfamiliar with this particular man, he is a fictional character devised by Steve Coogan (and portrayed by him too), Armando Iannucci and a team of comedy writers (most of the same as those who did this) over the last two decades or so, who has become such an iconic monument of British culture that he more or less exists as a real person in his own right. With all the repressed rage and frustrated class-entitlement of Basil Fawlty yet all the desperate compulsion to be loved and admired as a worthy entertainer of David Brent (if you're not getting these references you've got some serious learning to do about British comedy), Partridge's status as a true titan of Little England is far broader and has an incredibly deep background. For a man who isn't real, the details of his life are wrought with a richness of detail and nuance that humanise him, though such a ridiculous character, effectively being as he is just an irredeemable dick, yet through the wealth of radio and TV projects he's been slotted into and the sheer coherence of this autobiographical backstory* as a way of tying it all together, I am left marvelling at the skill of the writing team. When watching or listening to any of the shows that made Alan Partridge famous, be it his ill-fated chat show Knowing Me, Knowing You or the cringe-sitcom following his floundering career I'm Alan Partridge or the radio shows he was sports presenter for way back before he really took off or even the current mid-morning radio slots he hosts on North Norfolk Digital, I was always left as a viewer/listener thinking "this is hilarious because of how closely it treads the line to what someone like Alan Partridge could actually be like if they existed" - but having read this book, I now feel like that hypothetical wondering might be vindicated. Coogan, Ianucci et al have truly created a living breathing insufferably-boorish bigoted boring bellend from Norwich. Obviously he's still fictional but his life (of course, narrated in his voice** which given his massive insecurity is far from a reliable narration***) is drawn out so well that it's given my a much deeper enjoyment**** of all things Partridge. Alongside the perfectly-written narrative accounts (anecdotes aplenty), the book features two inserted sections of pictures from Alan's life, the explanatory subtitles to which are a pure treasure, as are the utterly inane footnotes spattered throughout the book (some of which direct the reader to 'press play' on a given musical track - yes, this book has a tracklist, as the autobiography of any respectable Disk-Jockey would, and though I did not listen to these songs as and when commanded by Alan, I feel that doing so would certainly improve the reading experience somewhat, so there you go).
   I should probably start a new paragraph.
   Another for good measure. Anyway, if you're not a Partridge fan, you probably won't get this book, but please please please acquaint yourself with him, and if you find he tickles you in any way, devour everything there is to watch or listen to of him, and then read this. You'll love it. Alan Partridge is one of the greatest artistic creations in the history of human civilisation. (You can quote me on that.) Likewise, if you a Partridge fan, I cannot recommend this book highly enough. It yielded more laughs-per-chapter than anything I've ever read, while also being an outstanding work of writership on part of the team behind it, and also provoking occasional moments of actual thoughtful sadness on the reality that people like Alan may exist. This is the less-gushing part of the post so I've saved it for a final paragraph.
   Alan Partridge's existence at all is a masterwork of sociocultural satire. In the same way that The Thick of It (by most of the same writers, remember) explores the dark twisted nexus between democratic politics and the liberal media, I think Alan's 'life and work', taken as a whole, can be seen as a grand and complex insight into a variety of unfortunate factors floating about in Britain today (or at least, in the 1989-2007ish period). Geographically and historically he can definitely be said to be a product of his environment. Alan Partridge grew up in the decades where traditional British modernism and community structures were giving way to individualism, and while he as a character is not in any substantive sense 'postmodern' he's definitely been able to shape his life according to the opening-up that this current had in enabling people to more aggressively determine the shape and trajectory of their own life - ultimately a decline in top-down social purpose bestowed upon persons, which for people like Alan merely empowers an unnoticed but pervasive lifelong wrestle with purposelessness. These decades also saw the diffusion of higher education on a bigger scale, empowering the lower-middle-classes with new outlooks on life - in Alan's case, a classless unfounded snobbery that he's quite good with general knowledge. Also, the economic development of these decades meant that traditional career paths were no longer a given, and as mass-entertainment became something to which society oriented itself with passive resignation, the excess of material and intellectual wealth accrued in Britain started to find itself being wasted on things produced for the sole purpose of bottom-of-the-barrel lowest-common-denominator drivel - like chat shows. These are, I think, symbolic of the roaring emptiness of late-20th-century western culture, and it is telling that it is Alan Partridge's lifelong ambition to be a broadcaster of the type who hosts one such avenue of background noise, convinced, as so many who chase these careers probably are, that presenting a pinnacle of vacuousness is a legitimate alternative to attaining true usefulness, fame, or love. From the 1970s onwards, the British public started sitting in sofas staring at TVs and vaguely forgot about everything else that they weren't directly obligated to partake in. Culture, religion, art, any form of wisdom? Meh, whatever floats your boat, but if it doesn't float my boat, then who cares. Politics and social issues? Meh, I'll side with whatever floats my boat, who cares about yours. The trajectory of Alan's career and the views he voices reveal a complicated indictment of our media, which seems to spout utterly empty tripe so as to maintain an utterly empty audience, and the only people who would strongly desire to be the face of such a media are utterly empty people like Alan Partridge, people without a clue, petty materialistic reactionary bigots who desperately crave attention, and they do get it, but only in its most primitive, pointless and soulless form.
   These are my own personal reflections on the cultural titan that is Alan Partridge, his life and work; the writing team may have had completely different ideas. But hey ho. Alan is, alongside everything already said about him; sexist, homophobic, xenophobic, ableist, actually a fairly rubbish broadcaster, and an all-round horrible git. Yet this book, in a handful of well-placed passages, does, with unexpected clarity of human insight, make us wonder how a person like him could exist with the 'life that he lived' and the 'shows that he made' and still be able to tolerate living in his own skin, and in those passages where Alan's self-reflection is activated in a genuine sense we see a giant wall of ignorance and denial, blocking this somewhat-clever man's view of the fact that absolutely nobody wants him to be doing what he's doing, and this wall enables him to proudly, cheerily even, keep doing it. Ahaaa to that!



* Unlike his first autobiography, Bouncing Back, which experienced shockingly poor sales (for an autobiographical work of such high calibre by a respected public figure in the Norfolk area) and sadly had to be pulped.

** It's available in audiobook form, read by Steve Coogan in Alan Partridge's voice. Get in!

*** I strongly recommend watching Knowing Me, Knowing You and I'm Alan Partridge and perhaps even listening to some of his radio stuff before you read this book. They're all on Netflix (or DVD boxsets are pretty cheap if you want some awesome Christmas ideas). You'll find it thoroughly amusing, and the horrific awkwardness of some of the scenarios he finds himself galloping into through his sheer social ineptitude will be at stark contrast to the ways he recounts these events in the book. It ties all the loose nuggets of his life that we've seen in shows etc. together brilliantly, fleshing out the realer (and actually deeply sad) life underpinning them all in intervening chapters. I only wish that this book had come out two years later so that the events depicted in the film Alpha Papa (a comedy-thriller marking his debut on the big screen, whereby the broadcaster we all love to hate so much somehow ends up being solely responsible for defusing a hostage situation), as that time revealed Alan not only to be a top entertainer of the people but also a man of action, much like Roger Moore or someone, and reading his telling of how it all happened would've been amazing. Ah well.

**** And I already did have a pretty deep enjoyment of all things Partridge. I'd grown up with a dim cultural awareness of him, but in my third year of university, my close friend and next-door neighbour Charlotte (same who gave me this - yeh, we share a broadly bizarre sense of humour) broke her leg. This meant that a lot of her time had to be spent basically not moving and being kept company to avoid depressive boredom, and during the two-or-so month period it took for her to regain the skill of walking, we must've watched every episode of Knowing Me, Knowing You and I'm Alan Partridge at least three times each. I'm not joking. We binged and re-binged and we have no regrets because it provided some of the funniest evenings of studentdom.