This book is the third (see here for the first and here for the second books) and final instalment of Philip Pullman's His Dark Materials trilogy. I didn't mention in earlier posts but although this is my first time reading these* I did watch the recent BBC adaptation of them (which is very good but not as good as the books, as is so often the case), so I already had a broad grasp of the story, characters, and themes; but I wanted to revisit it from the horse's mouth, as it were.
So - the story. As with previous instalments I shall only sketch out the first third or so to avoid spoiling it. Lyra has been captured by Mrs Coulter, who is keeping her in a drug-induced sleep while she [Mrs Coulter that is] plots her next move to keep her daughter safe from the clutches of the Church: meanwhile, Lyra is being visited in her dreams by her dead friend from the first book, Roger, who seems to be calling out from the land of the dead. Will is universe-hopping with the subtle knife, looking for Lyra, soon crossing paths & teaming up with Iorek Byrnison, who has resumed his duties as king of the armoured bears after his last mission with Lee Scoresby went awry. Mary Malone found a window in her universe to another world populated by intelligent wheeled creatures called mulefa, who teach her a great many new strange things. And thundering on in the background to all this is a mounting war for dominance of the heavens - the Church on the defensive, and Lord Asriel with all the allies he can muster on the offensive. Needless to say, Will & Lyra soon reunite, and aware of the grand currents of destiny swirling around them, they resolve to find a way to go to the land of the dead - to do something, they know not what, but that will have monumental impact on the battles brewing in the world around them.
I hugely enjoyed this whole trilogy. Lyra & Will are complex, likeable & relatable as protagonists; the moral frameworks of antagonistic forces & the conflicts they're engaged in are delightfully grey & thought-provoking; Pullman is a straightforward, not at all verbose or lofty, writer of immense skill in conveying feelings from urgency to safety & everything inbetween; and finally I would say that the originality of the fantasy elements in these stories is perhaps the strongest of all the kids' fantasy series I've read for this blog. The alethiometer & the subtle knife are unique conceptual inventions, far from being mere MacGuffins these are well-thought-through objects with comprehensible powers that drive the plot forward in innovative ways. And Dust! I won't actually give you any info on Dust here, in case you want to read the trilogy for yourself, as exploring & resolving the mysteries around it as a phenomenon is central to the backbone of the books, but I will say again that it is a marvellously original & fecund idea in fantastical worldbuilding.
This whole trilogy I would highly recommend for readers between six & fourteen maybe (don't @ me if you decide this is an inappropriate age bracket, when I was a child I read whatever the heck I wanted & it did no lasting damage) for maximal enjoyment but these are such well-crafted stories that I'm sure adult readers will get a lot out of them too. I did.
* To my shame - I would have loved them as a child. But then, I never read The Chronicles of Narnia as a child either, and would have loved them; and I suspect Pullman being a kind of anti-Lewis the dialectic between the two series in my imagination had I read both would have led me to some interesting theological questions as a youth.
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