Just Living

This book by Ruth Valerio is a brilliant resource for furnishing a Christianity-shaped thought train about social, economic and environmental justice. Its ideas are presented with ample but not suffocating explanation, and plenty of pragmatic but not exhaustive pointers for further consideration or praxis.

   The first third of the book explores the fields of the issues at hand; the nature and complexities of both globalisation and consumerism, and then the specific economic-cultural context the modern Church finds itself in when relating to these - hegemonic as they are.

   The middle third is the meaty theory section, where we really dig into theological and philosophical groundings for the origin and trajectory of applicable ethics: Valerio first looks at how simply neglecting the Church's relationship to socioeconomic justice leads to a Christianity that is merely therapeutic and basically capitulates to consumer capitalism; next we consider how the Church should relate to money and property, with a look at the ascetic monastic traditions (with St Benedict and St Francis especially focused on); then finally how Aristotle conceived and Thomas Aquinas developed notions of the interrelation of justice and temperance as virtues, and how these uphold human flourishing when rightly understood and practiced.

   The final third of the book is given over to practical exhortation - prompting the reader to think of what they can do to put these ideas into practice, and making the case for doing so. This includes: reorienting our perspectives to be more cognizant of socioeconomic and environmental injustice; aligning our attitudes toward money and material goods to Biblical ethics, and following on from that seeking to consume as ethically as we plausibly can; engaging fruitfully with our local communities; stepping into activism to provoke change in unsustainable & unjust structures; and lastly making prayerful & fruitful use of the time that is given to us.

   I have to say, as someone who has already put a great deal of thought into the nature & necessity of Christian work for ethical, justice-oriented living, I didn't personally learn a lot from this book. However I did find it edifying & encouraging, and it helped strengthen & deepen my understanding of the shared space my faith & my social/political inclinations occupy. Valerio's credentials as a theologian are just as valid as her credentials as an activist and from reading this book you will be left with an indelible sense of engaging with the wisdom & insight of someone who really does their best to walk the walk they talk. It is also highly readable, and though dealing with some relatively complex topics (especially in chapter six) it skilfully explains everything with minimal jargon, of both the theological & the socio-political kinds. I'd highly recommend this as a book to give to Christians who take following Jesus seriously but don't seem all that fussed about justice; it might serve to tip them over the fence.

the Corpus Hermeticum

This book is one I've read before and thus blogged about before, see prior post - although this text is very easily available for free online, I've not included links either there or here as maintaining an air of mystery seems key for me in these kinds of cryptic ancient documents. I can't really say I got much new out of it on a second reading - it still feels like wisdom farting in your face for fun. To discern anything meaningful from these writings would either take a lifetime of arcane study or an unthought-out kneejerk series of seemingly-brilliant hunches, neither of which I really have time for. As lurid and enjoyable as the Corpus Hermeticum is, I really don't think it has, or arguably has ever had, really that much to offer philosophy, science, or faith. So, yeh. Don't take my word for it - give it a google and read the .pdf of the thing. It will confuse you and illuminate you in equal measure, ultimately leading nowhere special.

Stories of God

This book by Rainer M. Rilke is a collection of thirteen inter-related short stories, framed through the device of an unnamed narrator telling these stories to various elderly or disabled friends. It was written in 1899 after Rilke visited rural Russia where he met many spiritually inspiring peasants - the text has probably been translated into English a few times, but I used the Shambhala 2003 version.

   Anyway. Whatever God these are stories of, it is not the Abrahamic one. Rilke's God is vaguely easy to like as a character but very hard to imagine one seriously worshipping as a deity. 'God' comes across as benevolent, yes - but also impotent, neurotic, infantile at times; the stories may have poignant poetic overtones but they are rather devoid of any meaningful insight into God's character as understood by orthodox tradition, or even mystics - it reads like the excited scribblings of someone who has found themselves suddenly entranced by mysticism & wants to dabble in it despite having minimal understanding of spiritual or theological frameworks underlying all said authentic mysticisms. Which, knowing Rilke's biography, is probably a fairly astute judgement.

   The human characters in these stories too are quite boringly sketched; they seem to have one personality between them and that largely a mere mechanism for delivering authorial ponderings (except in the last chapter, where they behave more like actual characters) . This collection of stories may be titillating to the heart & provocative to the mind but they have virtually nothing to offer the soul. Which I for one found disappointing for a book of such a title. Sharpish prose & dullish ideas; interesting & entertaining, but not particularly helpful for any real, deep explorations in faith. A few of them are fairly edifying, but chapter eleven, about the artists' association, is in my opinion the closest any of them come to making an original potent point.

   I would maybe recommend this if you'd be interested in well-written curious little folk fairy-tales with 'God' as the core character - but if you're looking for profound, challenging, spiritually-insightful fiction, this probably isn't it.

Ghazghkull Thraka: Prophet of the Waaagh!

This book is a Warhammer 40,000 novel by Nate Crowley, following the mysterious and epic biography of that most supreme of all orkish warlords, Ghazghkull Mag Uruk Thraka - whose story is finally able to be told to humanity in something like its fulness for the first time since their banner-bearer, a gretchen called Makari, is captured and questioned by the Inquisition.

   As you'd expect of a novel with orks at the heart (cf. Brutal Kunnin), this is a hilarious and thoroughly violent read; but as a window in the subjectivities of an orkish life, their culture, their worship of Gork and Mork, their secret shames and highest hopes, this is a true gem of a book that gives real tangible complex personality to the funniest faction in the fictional universe. Ghazghkull, from their brain trauma* to their triumphs in battle,** is as complexly sketched as the best human characters from Dan Abnett's Gaunt's Ghosts series - only as an ork. With ork shames and ork hopes, ork wiles, ork vices and virtues. I would be genuinely shocked if the Black Library ever managed to release another book that does as much for the exploration of orkish psychology as this one does. And yet it is more than a character study, for Ghazghkull's life has ramifications that reverberate across the galaxy in the mighty WAAAGH of which they is prophet and leader - all of which is to say, this story isn't over.

   For fans of 40k, this is highly recommended; especially for ork players, this is a must-read. Enjoyers of tongue-in-cheek science fiction more generally will find a lot to love here too.

* As a young ork they was horribly injured, losing most of their upper skull, but they managed to hold their own brains in while for several days trekking across hostile wilderness until they found a doctor who could staple them back together and put a plate over the gap to keep the grey matter inside. However injurious though, this near-braining is credited with what gives Thraka such an intimate and demonstrable understanding of the will and ways of Gork and Mork - it is their pain that made them the prophet.

** Except against their "favourite enemy", Commissar Yarrick, who they never quite managed to defeat and so came to respect deeply - insofar as an ork can respect a human.

Easy Esperanto Reader

This book by Myrtis Smith and Thomas Alexander is a collection of five* short stories with Esperanto and Spanish translations included alongside. The stories themselves are of a shockingly diverse range in genre and tone, and were mildly entertaining, though I can't say I would have ever been prone to read them had they not been offering the opportunities to deepen my grasp on a pair of languages I'm trying to learn. Their uses of vocabulary and grammar are simple enough that a halfway competent student of Spanish or Esperanto can dig up a fair amount of new intuitions as to words and rules through reading these closely with regular comparison to the English translation, for which purpose I did find this a useful little book. And it's very cheap on Kindle, which is what prompted my buying of it. I do think though that I'm going to try to finish the Duolingo Esperanto course before I try to read any more actual fiction written in the language as then my confidence and comprehension will be greater. But as a halfway testing point for learners this was pretty solid.

* There is a sixth story included though this lacks translation, and was thus of much lesser utility in learning any new vocabulary.

the Trinity and the Kingdom of God

This book by Jürgen Moltmann is one I've read pretty recently, hence that link leading to my last post about it. The reason I'm doing another post is that I've been reading through it with my dad, to help prompt us to challenge each other into thinking deeply about theology. I can only say it's been a pleasurable and edifying experience, and on a second read a lot of his arguments hit home far more clearly.

Renewal as a Way of Life

This book by Richard Lovelace is a guidebook for Christian spiritual growth. It is a condensed version of Lovelace's prior book Dynamics of Spiritual Life, but also entails an extra seven years-worth of reflections and learning around individual and corporate renewal, so it goes beyond the original in many regards.

   The book is split into three main chunks. Firstly, in exploring the normal Christian life, we consider how our lives are to be centred on God and His Kingdom; here we are given the "preconditions for renewal", those being an awareness of God's holiness, expressed in His love and His justice, and a complementary awareness of the depth of sin both in oneself and in the world. Orienting one's heart and mind in these ways is the root of sustainable and renewable spiritual life.

   Secondly, we look at the unholy trifecta of phenomena which constitute the "dynamics of spiritual death": those being the flesh, the world, and the devil. This middle section of the book is chock-full of practical insights into discerning when & where these are at play, and then navigating around or through them as we continue living under & for God.

   The third and final section explores the dynamics of spiritual life. The first chapter in this part dives into the Messianic victory of Christ and its explosively potent implications for followers of Jesus; the next two chapters dig deeper into how living out these implications manifests in firstly individual and secondly corporate (church) renewal. In these chapters we are introduced to the primary and secondary elements of renewal. Primarily, through faith in Christ as individuals we can be assured that we are accepted by God (justification), free from bondage to sin (sanctification), not alone thanks to the indwelling of the Holy Spirit, and granted authority over the spiritual powers of evil. Secondarily as we live in the light of these assurances we can follow Jesus into the world, presenting his gospel in proclamation & social demonstration (mission); we can depend on the power of the risen Christ in solitary & corporate prayer; we can enjoy community in the united body of Christ on micro- & macro- levels; and we can ever-more-progressively have the mind of Christ toward both revealed truth & our own cultural contexts by integrating theological learning & practice.

   I got a lot out of this book. It's accessibly written & consistently focused, leaning on the orthodox essentials without getting bogged down in theological corners; it's thoroughly Biblical throughout (with a Scripture quote or two on almost every page) & never tries to do more than it claims to be aiming to. Each chapter is closed off with a half-dozen or so discussion questions, as Lovelace does mention in the introduction that this would be an ideal book to work through with a small group of fellow disciples, and I imagine that doing so would be an incredibly fruitful experience, but so is just reading it to yourself. This is a book that does not make light of how difficult the Christian path can be at times, but it steadfastly instils confidence that if we have our eyes, hearts & minds attuned to God-in-Christ we will continue down the path of renewal until we are called home.

the Coming of God

This book is the fifth and final of Jürgen Moltmann's contributions to systematic theology, and as the title may suggest to the astute reader this one deals in-depth* with eschatology. As with the posts about the previous four I will give a rough overview of the book's contents before giving a bit of commentary, and as this is the last book in this series as is my wont I will then dive into some broader thoughts and reflections on the five book series as a whole. The contents of this book are split into five broad chunks:

1. Eschatology today - the transpositions of eschatology into time and eternity respectively; then the notion of God's comingness; then a tour through some key thinkers in Judaism who have contributed to a rebirth of messianic thinking.
2. Personal eschatology (i.e. eternal life) - conceptions of death as the end of life; contrasting ideas across the immortality of the soul or the resurrection of the body; a consideration of whether death is a natural ending or the consequence of sin; the prickly question of exactly "where" the dead are; and finally the psychospiritual experience of grief and mourning.
3. Historical eschatology (i.e. God's Kingdom) - political and apocalyptic versions of "the end" of history; the messianic picture; three wildly differing conceptions of millenarianism followed by a sharply nuanced consideration of whether millenarianism is even necessary; a look at exterminism (the idea that through military, ecological, or economic factors humankind may simply commit itself to an apocalyptic physical end - that is, death); a further consideration of whether apocalypticism is a necessary component of eschatology at all; and lastly an optimistic but grounded view of God's promises about the restoration of creation, in which he meticulously walks us through the theological and biblical cases for and against the idea of universal salvation (and I'll be honest - this was a big red flag initially given the particular flavour of Protestant orthodoxy I grew up in, where Hell is a necessary given, but I'm far more agnostic about the whole tangle since reading this chapter).
4. Cosmic eschatology (i.e. the New Creation) - firstly using Sabbath and Shekinah as springboard concepts into the future of creation; then the question of whether when the end comes creation will be annihilated, transformed, or deified; the ends of time and space in the eternal presence of God; and finally the scriptural metaphor of the heavenly Jerusalem as God's conclusive cosmic temple.
5. Divine eschatology (i.e. God's glory) - how all eschatological issues ultimately lead to the total and perfect self-realisation and self-glorification of God, in which a redeemed humankind is included as participant to the eternal experience, as God and His creation experience a total and perfect endless fulness, a feast of pure unending joy.

   So that's what's in here. Much of it was initially surprising to me, especially the universalism, but as I read and considered I realised more and more that the gravitational centre and methodological nature of Moltmann's theological system is so finely tuned to the core concepts of who we know God to be and logically extrapolating (with an almost outrageously generously ecumenical list of inspirational sources for these arguments) how, God being as God is and the world being as we understand it, the biblical worldview tends to lean further one way than another, and it all points not to fear and exclusivity but to redemptive renewal and inclusion and hope and joy.

   I trust it is abundantly clear that I am coming at this not as a professional academic with anywhere near enough experience or learning to start poking series critiques into Moltmann's system; I have approached these books as an enthusiastic amateur thirsting for a solid and coherent basic framework to hang my comprehension of Christian theology upon, and old Jürgen simply happened to be the first theologian who had composed such a framework that I happened to decide to pick up and work through. But I am deeply glad for that fact. These books have been an intellectual challenge, to be sure, but the more of them I read the more all the rest of what had come before made sense, and the richer my grasp of many of the fundamental tenets of Christian faith became. Obviously there are the big three caveats, which I have mentioned in posts about previous books in this series - firstly, that these books have been translated from German, so sentence structure is often quite difficult to follow; secondly, that Moltmann, being an academic theologian primarily writing to contribute to ongoing discourse within academic theology, while far from being recklessly obfuscatory or obtuse, is not writing for an entry-level audience, and so much of what he's talking about is quite difficult to get one's head around on first reading (or even second or fourth); and thirdly that Moltmann, being an academic in general, has a nasty habit of dumping in a random phrase in Greek or Latin (or even French or German sometimes) without offering a translation for it, even in the footnotes.** These pre-warnings aside, I think most moderately-educated-in-theological-terminology folks would find this series of books largely agreeable in style and especially in substance; Moltmann throughout this systematic theology has drawn widely and humbly on everything from Eastern Orthodox mysticism to strictly Reformed doctrinal positions and Catholic catechisms to Latin American liberation theology, and managed to work all of it into a cogently and compellingly structured model of what we must be talking about when we talk about the Trinity, or creation, or Jesus, or the Holy Spirit, or the apocalypse, or many other enormous and intimidating themes in the thought that has grown up around Christian faith - a model that while intellectually satisfying still leaves one with a sense of immense mystery and wonder at God's ways and being; a model that is not dry and stultifying but openly celebratory of the goodness of God and the life-giving truths that He has left us to work out and live in.

   As I said, this is the first systematic theology I've read, and I hope I won't be mentally lazy enough in the rest of my reading journey that it's my last - but it's been a thoroughly engaging and liberating one, and I would heartily recommend this whole series to any Christian who like I was finds themself in search of a holistic roadmap to thinking about their faith. Heck, I'd even recommend it to non-Christians who simply find Christian theology to be full of inconsistencies and contradictions, as they may well realise through Moltmann's rigour and breadth that there is far more internal logic at play than an external observer would easily guess.

* I say in-depth because all five of Moltmann's books in this series dig pretty deeply through eschatology, but only in this concluding volume is it front and centre in consideration.

** Which is frankly absurd, I mean, it's not like the footnotes couldn't spare the time. There's a lot of them (and honestly many of them add an excellent clarificatory point to the main text) in all five volumes.

the Spirit of Life

This book is the fourth of Jürgen Moltmann's series of contributions to systematic theology, this one dealing with the Holy Spirit's nature, character, and activity. The book is subtitled "a universal affirmation" and it delivers on this promise, as I will expand on later. For now, let's go through a rough outline of its contents - after a brief introduction discussing contemporary approaches to pneumatology, the book is split into three main parts:

1. Experiences of the Spirit - starting with a consideration of how God, being immanently transcendent, is experienced through experiences of life itself; then how the Spirit has been experienced historically, as divine energy, through God's people, the Shekinah, and messianic expectation; and finally Trinitarian experiences reflected in Christ's own spirituality, the spirit of Christ, and the mutuality between these two members of the Trinity.
2. Life in the Spirit - here we deal with the spiritual vitality of life; the liberation aspect as the Spirit bestows freedom upon its subjects; the justification aspect as the Spirit brings justice to victims, perpetrators, and structures; the regeneration and rebirth themes; the holiness which the Spirit helps people grow into through sanctification; the specific charismatic powers that the Spirit bestows upon select individuals and the purposes of these; and lastly how all this fits into thinking about mystical experience.
3. The fellowship and person of the Spirit - we first look at experience of fellowship and how this is interpenetrated with experience of the Spirit, how this is expressed in Christianity, and how loving relationships embody a social experience of God's being; then move onto ways of describing the personality of the Spirit through a range of utterly inadequate but humanly helpful metaphors (grouped into personal, formative, movement, and mystical), the streaming divinity of the Spirit's personhood, and how this fits together with various conceptions of the Trinitarian schema [the final section of this last bit takes a bit of a left turn to consider whether the filioque is a superfluous addition to the Nicene Creed or not, which is a bit detached from the rest of the book but in such an ecumenical sequence of ideas it's good to have it in there].

   So clearly this book covers a lot of ground - and the same caveats as I've given in previous posts about Moltmann's books apply here. But that subtitle, "a universal affirmation", truly does describe the overall bent of this book: while it is densely academic in style, to grasp the thrust of the arguments being made is to genuinely be held close in the encouraging embrace of the Holy Spirit as that which loves and affirms life in itself - I've labelled the post for this one "spirituality" not because it offers anything new or innovative to the Christian experience of spiritual life but because it so deeply and roundly affirms the goodness and the dependability of the basic facts of the Christian life insofar as it is spiritually experienced. The world these days is all too often dark and confusing, and much of the time I find it hard even with my faith to look to the future as the site of many tangible promises for human flourishing; but this book has done more to restore my trust in God's ineffable brilliance and unpredictability and love for that which is recognisable yet new, fresh, surprising, than almost anything else I've ever read. If you're only going to read one book out of Moltmann's contributions to systematic theology, I'd make it this one, as it will give you an identity statement and modus operandi for arguably the most mysterious member of the Trinity, that will deepen your cognizance of God's work in the world and your life, and broaden the intake valves of your heart for abundant security of hope and joy.

Fire with Fire

This book by Naomi Wolf is a powerfully optimistic perspective on the rising tide of female power toward the end of the 20th-century, envisioning how this trend can be held onto & grown into the 21st.*

   The text is split into five parts: firstly, an examination of what she calls the "genderquake" and the declining hegemony of masculine power, with a concomitant shift in female consciousness; secondly, considerations of where feminism may be falling short of its potential in recent years as it becomes co-opted by middle-class consumer models alien to its radical roots; fourthly, a dissection of the feminine fear of power & the need for a new psychology to emerge to overcome this; fifthly & finally recommendations for where to go from where the book concludes.

   I neglected to mention the third part above as that forms the longest chunk of the book, and is most central to Wolf's whole gist with it. Here she outlines two competing traditions within feminism as she sees it: "power feminism", which is all about maximally fighting for & holding onto equality without shame or doubt; and "victim feminism", which is more about emphasising the difference between men & women then highlighting the ways in which the former harm & suppress the latter all in an impotent hand-wringing sort of way. Wolf makes it very clear that she vehemently feels victim feminism has run up against number of cultural & socio-political impasses, and is now largely holding the wider movement back. There are implications in these chapters to be found of relevance to modern marginalised communities - those protesting their rights on the streets versus those who would rather simply retreat into a demarked safe space. In my opinion Wolf goes a little too harshly in her critique, and though her principles are in the right place she can't expect everybody to have the circumstances or disposition necessary to join her at the same exact spice level of her own activism. Another critique I would make is that her discussion of feminism in general is far from satisfyingly intersectional, though given the age of this book I suppose that's to be expected.

   While outdated in many places, I still found this a compelling and interesting perspective on the promise & potential of feminism, and though the basic points are almost certainly better said more relevantly to the 2020's by more recent authors, I guess this would be worth a read if you're interested in the evolution of contemporary feminist thought.

* So much & yet so little has changed since this was published over thirty years ago - one has to wonder how much of this book's core theses would still be held by Wolf today, as well as how many extra chapters she would need to add to discuss the tectonic shifts in feminism generally in those intervening decades.

Legion

This book by Dan Abnett is the seventh Horus Heresy novel, and the strangest yet by a mile. The Adeptus Astartes are barely in it! For the majority of the narrative we're following regular human soldiers through a largely uneventful* conflict where despite the overall lack of significant threat there is a significant aura of uncertainty due to the secrecy and shadiness of the Alpha Legion, the Astartes supporting them in this arena - secrecy and shadiness only compounded by the Alpha Legion's primarch Alpharius never quite seeming to be exactly the same person twice, though nobody can ever quite exactly tell as all of the Alpha Legion look so similar. The chief secondary plotline follows a mysterious immortal human called John Grammaticus, who is on a mission all his own to manipulate the Alpha Legion into contacting and collaborating with The Cabal, an inter-species collective of concerned parties working for the future cohesion of galactic order. Without giving away too much about what Alpharius and company make of the Cabal, or Grammaticus's role in things, there is a serious bombshell in here about how an Astartes Legion may choose to throw their weight behind the forces of heresy not out of disloyalty to the Imperium but out of sheer, cold, calculated pragmatism for the greater good. This is a disarmingly gripping instalment in the series - no major epic battles, but a deeper, sharper war over trust and truth.

* So much so that there is a solid six-page passage devoted to describing a weird little game that the troops play amongst themselves wherein they have to find a rock head only just smaller than the next biggest rock head someone else has. I found this bit thoroughly entertaining.

Descent of Angels

This book by Mitchel Scanlon is the sixth instalment of the Horus Heresy mega-series. In this one we open into a time before the Great Crusade had even properly taken off yet - those days when the Emperor (who we do get a snapshot glimpse of partway through for the first time in the series) was still collecting the primarchs from across the galaxy - in this case, Lion el'Jonson* of the planet Caliban, which is home to knightly orders sworn to protect the citizenry of their world from the great and terrible beasts which pretty much control the deep, dark forests covering most of the planet. Throughout the book we follow cousins Zahariel and Nemiel on their journey from supplicants to the Lion's knightly Order, to their establishment within the ranks as fully-grown knights, then the utterly unexpected arrival of Imperial forces turning Caliban's forests into factories and its culture into a mere expansion of the Emperor's divine mission to unite humanity - the shock of this transition is tempered significantly by the acceptance of both into the ranks of el'Jonson's new Astartes Legion, the Dark Angels, and these brave children of Caliban join the Crusade rolling through the galaxy to whatever end. So ultimately this book is less epic in scope than most of the previous instalments, but it provides a vitally interesting window into what worlds (and primarchs) may have been like before the Emperor came along to bestow upon them their Imperial destiny, and explores the potential sources of friction from this grand inclusion.

* Easily my favourite primarch so far - he just oozes chivalry and charisma.

Zen in the Art of Writing

This book is a collection of essays by Ray Bradbury on the art of writing. He was an exceptionally prolific and deeply skilled writer so it goes without saying that this is a very readable text. Moreover the nature of the thoughts and insights he has on the writing process, from the quandaries of inspiration to the mechanics of typing, are incredibly useful - I read this as I am suffering from somewhat of a creative slump in my own writing activities, but I have to say I found Ray's words here to be immensely liberating, empowering, and so forth. If you're already a fan of Bradbury's work you might find this an interesting insight into his process, but really the main bulk of potential audience I would recommend this to is creative writers themselves. Take good advice from an expert.

2023 catch-up

So last year I read forty-seven books, which is not bad but not amazing for a year on this blog. Let's get right into a bit of a recap...

• I read The Chronicles of Narnia for the first time: it's alright, I suppose
• The Cloven, the final book in Brian Catling's Vorrh trilogy, was immensely satisfying
• One of my favourite Discworld novels so far
• I finally finished the re-read of the Gaunt's Ghosts series that I started last year
• Even more Warhammer 40,000 novels
• And even more - though rather than grimdark these ones were genuinely funny, one following the haphazardness of orks at war and the second following the petty feud of two ancient necron rivals
• And I must be insane because I've started reading the Horus Heresy series
• Inspirational and invocational Christian books
• The second [on creation] and third [on Christ] books in Jürgen Moltmann's series of contributions to systematic theology, which I'm really getting a lot out of
• A book that made me want to do better as a white person
• Classic anarchist theory from Kropotkin
• Pete Bearder's excellent work in the theory and practice of poetry - as well as poetry itself from both the London Underground and medieval Persia
• Ancient Jewish apocrypha
• A very depressing document detailing much of the problems in my old church
• Søren Kierkegaard's very difficult theory of anxiety and sin
• Reading Korsgaard's brilliant book on active selfhood for the third time
• This fun, magical little kid's book which I bought for my niece
• Bertrand Russell's very long very good History of Western Philosophy
• And finally, I'd be astounded to discover that this wasn't the worst thing J.D. Salinger ever managed to get published - as someone who loved all four of his books, this was a genuinely upsetting experience to read

   That's it for some of the highlights (and lowlights, although thankfully this year there seem to have been very few of these). Onwards into 2024 - and hopefully an increasingly more diverse reading journey! Thanks to all my many many readers [lol] for sticking with my ramblings here, hope you've been enjoying following along with all the random fictional and non-fictional things I put in my brain.

Peace & love

Isaac Stovell

Fulgrim

This book by Graham McNeill is the fifth Horus Heresy instalment. In this one, we again skip backwards a few years to follow the strands of story around Fulgrim and his legion, the Emperor's Children - who pride themselves on being the legion that most strives for, and in large part attains, perfection in all they do. Like the Luna Wolves had before, the legion has a cohort of civilian remembrancers attached to their crusade fleet to record the great deeds achieved in the war to reunite humanity. The aesthetic experience in a temple-like construct of a defeated alien race called the laer seems to have a profound and disturbing effect on many of the legion and the remembrancers alike; this influence builds slowly over the course of this novel into a horrifying excess of expression and enjoyment. But before that peak is reached, Fulgrim is brought into the confidence of Horus's new direction and sides with the Warmaster - then, given the task of persuading Ferrus Manus, primarch of the Iron Hands legion, to join the cause also, Fulgrim tries his best but ultimately fails. This uncloseable breach between the brothers opened, Fulgrim draws the Iron Hands to Isstvan V - where, just mere days after the terribly scenes of Isstvan III, the civil war among the legions rears its head once more in all-out slaughter - including the death of Ferrus Manus himself (the first primarch to die). Despite having been forewarned by an eldar farseer earlier in the book, Fulgrim is by this point so full of pride and surety that even Horus is looking at him askance by the end: and rightly, as those feelings are not the only things Fulgrim is full of - he has been completely consumed and possessed by a daemon of the warp. His life is no longer his own - he has become a passive instrument of the dark powers. So while the chief instigator of the titular heresy is of course Horus, arguably Fulgrim fell further faster.* Quite the trajectory for one book, but trust me, it's well-paced enough that not of it feels rushed nor anything less than inevitable.

* There are a handful of other traitor primarchs who were well underway with their downward spirals before Horus too (especially looking at you, Lorgar), but we'll get to them in turn. This is a long series, folks.

the Way of Jesus Christ

This book is the third of Jürgen Moltmann's series of contributions to systematic theology, and this instalment deals with Christology, as the title probably suggests. He very deliberately opts to consider the subject matter through a messianic lens, which makes sense as Jesus was the Messiah, although this makes the points elucidated in this book altogether more rooted in Jewish tradition than most Protestant Christology tends to consciously be, which is interesting. What Moltmann has to say is broken down into seven broad chapters:

1. The messianic perspective - the genesis of its hopes, the development of the hoped-for figure therein, and a consideration of what we learn about this from Jewish-Christian dialogue.
2. Trends and transmutations in Christology - its identity and relevance as a field of thought, how its theme and scheme can be interpreted through cosmological and anthropological lenses, and what all this looks like in the modern context of a scientific civilisation.
3. Christ's mission - his birth and baptism in the Spirit, the gospel's relation to the poor, the sick, the demon-possessed and the outcast, the broader ethic of the messianic way of life as expressed and taught and lived in Jesus, and the person of Jesus as embodied in his relationships to God and the rest of humanity.
4. Christ's suffering - starting with the notion that his passion event provides an apocalyptic horizon to world history, then going on to consider the nature of his death, the presence (or rather absence) of God throughout, the overall purpose of his death, and how this is echoed in martyrdoms throughout history in remembrance.
5. Christ's resurrection - viewed through an eschatological lens, we look at the unique character of Christian faith in this event, then dissect the theological and historical problems of the resurrection as a historical phenomenon and the theological and natural problems of the resurrection as a [super]natural phenomenon, before finally thinking about the spiritual unification process foreshadowed by the resurrection as an event.
6. Christ in cosmic terms - first outlining historical and ecumenical views of such, then a look at Christ as the ground of creation, his relationship to evolution (is he its driving force, its victim, or its redeemer? Moltmann makes a case for all three), and his establishment of a basis for the community of creation.
7. Christ's parousia (that is, second coming) - the nature of its expectation, the character of the promised one who is coming "again", the event of the Last Day itself, the category of Heaven, the righteousness of the foretold judgement, and finally affirmed embodiment.

   Obviously there is a lot going on in this book (as there has been with all of Moltmann's books that I've read so far and I expect nothing less of the fourth and fifth) and it would be ludicrous for me to attempt to summarise what is said herein. I will say though that as with the books on the Trinity and creation Moltmann here delves into corners of theology that comprise the home turf of questions I have always had but never quite known how to pose; he has an uncanny knack for uncovering something so intellectually obscure that it seems almost esoteric but once discussed and placed into proper context provides new and fruitful ammunition for starting to grasp the divine mysteries underlying the Christian faith. The same caveats apply here for the first two books - that is, that being translated (very well, but still) from German means the text's structure is often a wee bit confusing, and Moltmann has that incorrigible academic habit of dumping you with a phrase in Greek or Latin that even the footnotes refuse to clarify in English for the heathen reader - but overall this is a largely readable book for how dense its ideas are, and I think any Christian reader willing to be patient and thoughtful with a meatily rewarding series of trains of thought will find a great deal in this book to flesh out their understandings of Christ's being, mission, and meaning.

Stage Invasion

This book by Pete Bearder is a multi-disciplinary investigation in poetry and "the spoken word Renaissance" that has been taking place in the west in recent years. I've actually met the author* (stage name Pete the Temp) at a fracking site a few years ago, where he performed some radical poetry - but his scholarship shown here is just as fine as his capacity for crowd-rousing verse.

   The book itself drives a complex path across its many disciplines to explicate the nature and trajectory of spoken word. After an introduction setting up the intent of the book, we are first given a glimpse into the world of slam poetry, its origins, popularity, and benefits and drawbacks.** We then dive into a definitional chapter discussing exactly what spoken word is and isn't - from the ancient concept of oral tradition to "live literature"; reflections on style, and then finally a consideration of the social format itself in which this art form generally takes place and its uniquenesses. Then there's a history chapter, starting with the Romantics through the Beat generation up to contemporary hip-hop, and how all of these have left their mark on the art form as it's evolved. The next chapter digs into DIY renewal culture; how the grassroots nature of poetic space necessarily creates room for creators to create, interact and share in innovative ways. Following this are three chapters building on the same idea - first how a poem inhabits and leaves the body of the performer during performance; second how this inhabits and shapes the experience of bodies in the crowd listening to said performance,*** and thirdly how if done well this can all lead to spoken word performances bringing out transcendent states of shared consciousness between audience and performer. The final chapter is about how this can be, and often is, utilized to great effect in harmonising sympathies in crowds for transformative political ends - poetry can be remarkably effective propaganda if written and shared correctly, as long as recognition and empathy are at its heart.

   The blurb quote on the front of this book claims it is the book "we have all been waiting for", and as a member of the many spoken word communities in the UK today, I couldn't agree more; Bearder's scholarship is deep and wide and his love of the craft evident on every page. The poetry he samples for quotes to make his points is eclectic and wondrous, and his core argument that spoken word is a social force of uniting and driving emotional communal activity toward understanding and the forging of better worlds is tangible throughout. If you're a spoken word artist craving to know more about the artistic world you inhabit, this is absolutely the book for you - if you're skeptical about it as an art form, this would be a challenging but wholesome read that will make you think twice about what you do or don't seek out and listen to. A fantastic book.

* And again [edit December 2024] as he was performing at The Shakespeares, and I got my copy signed; he says "this book - in your hands - a powerful weapon". I hope I live to prove him right.

** As the host of a spoken word night myself which is very much in its culture antithetical to slam, I found much to disagree with in this chapter, but much worth bearing in mind too.

*** This chapter has a section which delves into the role of the MC of a spoken word event, a role which I myself have held for Guerrilla since 2019, and so this was of much encouraging inspiration to me.