This book (available free online from that link) is a long essay, well - originally lecture, by J.R.R. Tolkien, regarding the fairy story and fantastical fiction in general. It is widely known as a key touchstone for thinkers in and around the genre on how to do it well, and as I am currently working on my own series of fantasy novels (as well as being generally interested in how the father of the modern genre approached it) I thought it would be well worth a read* - and I was not disappointed. Tolkien begins with a broad attempt to define the fairy story, before delving into the historical and cultural origins of the genre; he then considers the stereotypical association of the fairy story as being intended for and only enjoyable by children (a proposition he roundly rejects) and then goes on to develop a definitional theory of what precisely "fantasy" is - this is the meatiest part of the whole essay - as being a genre that should ideally provide recovery, escape, and consolation (it is in this part that he coins the term "eucatastrophe" to describe the inexplicable, unpredictable, yet inevitable happy ending of all true fairy stories***), and finally concluding with a statement about art's essential nature to human flourishing under God in consideration of our relationship to truth and imagination. This is a deeply stimulating essay, and whether you're active in writing fantasy yourself or you're simply an enjoyer of the genre who wants to take a thorough stare at the nuts and bolts of what makes it so vibrant and long-enduring as a form of human expression, you will find a great deal of food for thought here. Well worth a read - especially if you're a fan of Tolkien's fictional works, as this essentially provides the manifesto statement of how he approached all of his writings of the fantastical ilk.
* Although if you're interested in the ideas talked about in this post but don't have the attention span to read a forty-page essay,** assuming you still have the attention span to watch a forty-minute video essay, Jess of the Shire has you covered.
** In which case, what the heck are you doing on this blog?
*** Key example in point - at the culmination of The Lord of the Rings (spoiler alert), the ring is destroyed not by intent but by accident: Frodo caves to its power at the very last step of his journey, and Middle-earth is saved only by Gollum slipping into the lava having bitten off poor Mr. Baggins's finger to reclaim his precious. Textbook eucatastrophe.
No comments:
Post a Comment