Seeing Beauty & Saying Beautifully

This book by John Piper is an exploration of how poetic effort can be utilized in devotion to God; as evangelism, as exhortation, as edification, etc. Drawing on the lives & work of three great Christian communicators (each of whom is afforded a relevant-facts-only potted biography to place their works into their proper contexts, alongside a rough examination of the linguistic arts each employed in their vocation), Piper develops a cogent & compelling discourse on how "putting things into your own words" is a mighty fine tool in the finite individual's spiritual formation & missional impact.

   The contents proceed as follows:

1. a brief introduction theologically justifying the poetic use of language by Christians in the communication of their faith, hope, & love - despite the common assertions in the New Testament that "lofty speech" is NOT the way to best present the gospel
2. George Herbert - the 16th-century rural pastor who posthumously became known as one of the greatest devotional writers this world has seen. Herbert's pastoral career responsibilities & magisterial poetic gifting are both given due examination, with his spiritual humility & technical grandeur given similar weight in discussion
3. George Whitefield - the 18th-century trans-Atlantic preacher (with, if we're being honest, a borderline unbelievable virtually superhuman* capacity for bringing to gospel to people far & wide**) whose modes of dramatic eloquent enunciation brought many thousands to Christ & laid the foundations for the Great Awakenings that followed in the years after his tour of America
4. C.S. Lewis - the 20th-century atheist-turned-Anglican who, alongside his career as a scholar of ancient literature, became the foremost apologist for the Christian faith (despite several decidedly heterodox positions that he held compared to most evangelicals of his & our era) via combination of romantic & rationalistic apprehension of Christianity's truth claims; as expressed in both imaginative & logical means
5. a final concluding chapter which briefly restates everything learned from these three great disciples of Christ & challenges us to follow them in their following of & expression of such - we may not all be poets but we all have the capacity for poetic effort, and handedly manifesting such is a tried & true means of deepening our own grasp of the divine just as much as it does communicate such encountered truth to our audiences

   After the concluding section on how each of these very different dudes drew upon the fountain of inspiration that is God*** to make more of their faith, and how each has lessons to teach us about ongoing contemporary ministry in ways fruitful both to writer & reader (or speaker & hearer, as in Whitefield's case) - well, that's the book. I found this a hugely edifying & instructive read as a poet myself, so would highly recommend it to Christians curious about the more daring aspects of expression as a fantastic source of real-life Example in How-To-Do... I dare say even non-Christians who already have a creative bent will find much in here to make them think deeply & feel seenly about Truth.

* Dude preached roughly a thousand sermons a year for thirty years. Which, even given his barely-existent social life outside of itinerant gospel proclamation, must have left him with minimal time for the actual preparation of said sermons - I choose thus to believe that even two centuries before Red Bull was available he must have been largely, especially, winging it.

** An interesting knot of historical biography is that Whitefield was a slave-owner who also dedicated huge amounts of effort in evangelising slaves, who he saw as >potentially< spiritually equal to whites. While there were no doubt abolitionists who pre-dated him, and he was it's fair to say never even one of these, it is also true that he was chiefly mourned by the Blacks in America following his death, given his commitment to & massive success in bringing them the gospel.

*** Having learned much more about George Herbert from this book that I didn't from reading him directly, I do have to confess that I still find William Blake a more compelling Christian voice in poetry's form; were I the staff manager of the Historical Church, yes I may well happily let Herbert write liturgy, and Lewis would have free rein on producing apologetic tracts for non-believers, and obviously Whitefield would be among those on the regular pulpit roster - but it would be Blake's outrageous imagination that I would most like to lead Sunday school.